I am the "Telecom Person," wearing a shimmering telescope and jumping with the volcano. I gradually lose weight... Through disassembling sofas, mattresses, I create a plastic rainforest. I participated in "Blooming Madonna," began exploring desires, engaged in live streaming creation, and performed imaginative actions like delivering meals, entering the membrane naked, witnessing the doll-like people in Ximending, truly embodying an Absurdist spirit~

My works contemplate the integration of various materials, found objects, or the combination with the performers' bodies, responding to the corporeal aspects of different social domains or connecting bodies driven by desire. In recent works, many pieces focus on linking different social contextual texts to the imagination of different bodily sensations. For example, "Meal Delivery" reflects the phenomenon of capital control and labor-intensive running of errands, "Pleasure Directive Third Scene" responds to the pandemic with a live streaming project launched by the Air Force, and "Pleasure Enjoyment Plan" invites twenty-five people to interact naked within a membrane. In the recent "Wandering in Wanhua" project for ordinary people, the work "Doll Country, Doll Town" deeply explores the phenomenon of claw machine shops that have invaded Taiwan in recent years, connecting it to Ximending for an in-depth investigation.

- Huang Yanchao's series of spatial paintings won the first prize at the Kaohsiung Awards.
- The work "Telecommunications: Passive Body," conceptualizing "electricity" as an energy entity and visualizing its invisible aspects, received an honorable mention at the Taipei Awards.
- Collaborated with the WildChild Physical Theatre on "Blooming Madonna," nominated for the Taishin Arts Award.
- Participated in the MV for singer Yang Naiwen's 「推開世界的門」and Hush's MV 「換句話說」, involved in installation production and held multiple exhibition presentations.
- Established the art studio "Lifting Walls," occasionally organizing discussion salons.